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Biography
  Rebecca Harding Davis' Signature

Rebecca Harding Davis

Rebecca Harding Davis, the oldest of five children of Richard and Rachel Leet Wilson Harding, was born in Washington, Pennsylvania, home of her mother's prominent family. She spent the first five years of her life in the Deep South plantation country of Big Spring, Alabama, where her British immigrant father first tried his entrepreneurial hand. In 1836 the Hardings moved to Wheeling, Virginia, a border town on the Ohio River poised between the industrial North and the agricultural South. Wheeling's rapid growth into a factory town would profoundly affect the themes and the vision of Davis's fiction. She was sent back to her mother's country to attend the Washington Female Seminary when she was 14, but her best education came through instruction from her brother Wilse, who received college training, which he passed on to her. Returning to Wheeling in 1848, she joined the staff of western Virginia's most important newspaper, the Wheeling Intelligencer. Its editor, Archibald Campbell, entrusted her with editorials as well as reviews and poems. In 1861 she submitted her long story, "Life in the Portrait of Rebecca Harding DavisIron Mills," to America's leading national magazine, the Atlantic Monthly, whose assistant editor, James Field, enthusiastically accepted a work that has since been called "one of the revolutionary documents in American literary history." Thus, in the same year that her country became embroiled in the Civil War, Davis, with brutal realism as well as romantic exhortation, introduced readers to the social cause of dehumanizing industrial labor and poverty, drawing on life in the factories that were rapidly expanding in her home city.

Davis's first novel, Margaret Howth, was published in 1862, and in that year she traveled east to meet her editor, James Fields, and his wife, Annie, who in Boston introduced her to leading authors of an earlier generation-Hawthorne, Emerson, and Louisa May Alcott's father, Bronson. She disliked Alcott and other transcendentalists for what she felt was their naive idealism. In Philadelphia, on her journey home, she visited a lawyer who had been corresponding with her since "Life in the Iron Mills" appeared in the Atlantic. She and this ardent admirer, Clarke Davis, were married the following year in March 1863. By 1864 the couple had the first of their three children, son Richard Harding Davis, who would later become a novelist of much greater renown than his mother. Living in Philadelphia, Davis found her energies consumed by the needs of her children and husband, who had become editor of the Inquirer. In spite of depression and exhaustion, Davis published other pioneering works during the 1860s and 1870s. Waiting for the Verdict (1868) dealt with the Civil War, with miscegenation, and with racism as a national problem. "In the Market" (1868) was concerned with women's issues, and John Andross (1874) exposed the political corruption of Boss Tweed.

Throughout her long career, Davis challenged both traditional subject matter and older literary styles. By the time of her death, she had published ten novels, more than 100 shorter pieces, and in 1904 an autobiographical work, Bits of Gossip, one of the only works in which she was willing to air elements of her personal life. She died of a stroke in 1910 and was memorialized primarily as the mother of the famous journalist Richard Harding Davis, whose career she had encouraged. A push by Tillie Olsen, the important twentieth-century American feminist writer, to publish "Life in the Iron Mills," with her own long biographical interpretation, in 1972 marked the beginning of a resurgence of interest in a woman whose first major work wrought radical changes in how fiction would be written and read in America. -Lucinda H. MacKethan


Photograph courtesy of Henry Holt and Company

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